Sag Basic Agreement Residuals

There are 6 types of theatrical conventions. All of this is determined by the level of the budget: residents are only due for use in new media if the final total cost of an original program made for New Media, as exposed, is $25,000 or more per minute and it is displayed on a consumer payment platform beyond 26 weeks. You can broadcast your new media production after the first new press release without the prior agreement of your actors or against deletion beyond the new media; However, the remainder is paid for the use of Made for New Media productions in traditional media, based on existing sag, AFTRA or SAG-AFTRA formulas. As part of this agreement, signatories are contractually obliged to work with the main actors of SAG-AFTRA and up to a maximum of 30 for the background. While the initial remuneration is based on the rate negotiated between the workers and the union signatory (subject to the union minimum wages in force), the balances are based on a large number of factors. The total arrears of a sales/license agreement are based on the revenue generated by revenues, whether on distributors` gross receipts (DGR) or royalties – on the relevant union contract, the reuse market or the markets. Then, the total amount of the remains due is distributed among the insured employees. If you choose to view payments that are currently being processed, the net amount is not available in the audit detail. This information will only be entered when the payment has been fully processed and has an e-mail date. Members should expect to receive their arrears within 60 days of the date SAG-AFTRA receives the cheques and information from the manufacturer. So, what is a collective agreement? Collective bargaining is a kind of negotiation process between employers and a group of workers with the common goal of defining conditions and concluding an agreement to regulate wages, working conditions, benefits and other aspects of workers` compensation and rights. When a company becomes a signatory, it accepts the working conditions of the professionals represented, protected and laudable under the basic contracts. These include SAG-AFTRA television agreements based on content type, media and, in some cases, budget.

For example, shows that go directly to a streaming service (like Netflix) and have a budget of less than a million can be covered by the new media deal, but the SAG-AFTRA TV deal applies to all shows on that budget, even if they go directly to streaming. SAG-AFTRA divides TV contracts into four categories: For TV works, residues begin as soon as a program is rebroadcast or is published on video/DVD, pay TV, broadcast TV, basic cable or new media. Residents are based on a gross receipt formula for all episodes of free TV series. Core actors are not entitled to delays for work carried out under the SAG-AFTRA basic and television agreements, unless the substantive actor is classified as an „actor“. If he is still talking about five lines or less, the remaining program fee is five lines or less. If the background actor is reclassified elsewhere in the Performer category, the program fee for residual purposes is the Principal Performer program fee. Revenue from the licensing or sale of a project. This formula depends on the nature of the product, the contracting parties and the recovery market.

For more information, please see the Codified Basic Agreement. SAG AFTRA members cannot work on a project unless the studio, production company or producer is a signatory to the corresponding SAG-AFTRA agreement. If you don`t understand the basics, it can lead to hefty fines. While this article attempts to set out the basis of the common treaties, it is by no means a synthesis or an exhaustive list of the SAG-AFTRA agreements. There are always grey areas by state and project, and you should always read and check your agreements carefully. For cinematographic works covered by the film agreement, residues begin as soon as the film is published on video/DVD, basic cable and free or pay TV or new media….